Galery BERT - Cocteau sketch

SELECTION OF PAINTING
-
La leçon d'anesthésie, 1951:

Jean COCTEAU

La leçon d’anesthésie, 1951

Technique:

Oil on canvas

Dimensions:

61 x 46 cm

Year:

1951

Signature:

Signed and dated

Homme à la tour, 1958:

Jean COCTEAU

Homme à la tour, 1958

Technique:

Coloured pencils

Dimensions:

42 x 26,5 cm

Year:

1958

Signature:

Signed and dated

Sphinx, 1957:

Jean COCTEAU

Sphinx, 1957

Technique:

Color pencil

Dimensions:

42 x 29,5 cm

Year:

1957

Signature:

Signed and dated

Danger de mort, vers 1925:

Jean COCTEAU

Danger de mort, vers 1925

Technique:

Black pencil

Dimensions:

27 x 21 cm

Year:

Vers 1925

Signature:

Stamped

Profil, vers 1950:

Jean COCTEAU

Profil, vers 1950

Technique:

Green soft pencil

Dimensions:

21 x 13,5 cm

Year:

Vers 1950

Signature:

Signed

Trois visages aux yeux d'or, vers 1956/58:

Jean COCTEAU

Trois visages aux yeux d’or, vers 1956/58

Technique:

Green, yellow and orange pencil

Dimensions:

36,5 x 27 cm

Year:

Vers 1956/58

Signature:

Stamped

Marianne, vers 1960/61:

Jean COCTEAU

Marianne, vers 1960/61

Technique:

Blue and red ballpoint pen drawing

Dimensions:

27 x 21 cm

Year:

Vers 1960/61

Signature:

Stamped

Homme sandwich, vers 1952:

Jean COCTEAU

Homme sandwich, vers 1952

Technique:

Blue ballpoint pen drawing

Dimensions:

27 x 21 cm

Year:

Vers 1952/54

Signature:

Stamped

Tête d'arlequin, vers 1954:

Jean COCTEAU

Tête d’arlequin, vers 1954

Technique:

Black and red coloured pencils

Dimensions:

27 x 21 cm

Year:

Vers 1954/55

Signature:

Stamped

Etude pour la chapelle Notre-Dame de Jérusalem à Fréjus, vers 1963:

Jean COCTEAU

Etude pour la chapelle Notre-Dame de Jérusalem à Fréjus, vers 1963

Technique:

Black pencil

Dimensions:

27 x 21 cm

Year:

Vers 1963

Signature:

Stamped

Hommage à Fra Angelico, vers 1959:

Jean COCTEAU

Hommage à Fra Angelico, vers 1959

Technique:

Black pencil

Dimensions:

50 x 33 cm

Year:

Vers 1959

Signature:

Signed and titled

Visage fleur, vers 1963:

Jean COCTEAU

Visage fleur, vers 1963

Technique:

Black marker

Dimensions:

44 x 32 cm

Year:

Vers 1963

Signature:

Stamped, titled

Fleur des yeux, vers 1962/63:

Jean COCTEAU

Fleur des yeux, vers 1962/63

Technique:

Grey pencil

Dimensions:

27 x 21 cm

Year:

Vers 1962/63

Signature:

Stamped

Rose de Fréjus, vers 1963:

Jean COCTEAU

Rose de Fréjus, vers 1963

Technique:

Orange and yellow coloured pencils

Dimensions:

27 x 21 cm

Year:

Vers 1963

Signature:

Stamped

Adam et Ève, vers 1962:

Jean COCTEAU

Adam et Ève, vers 1962

Technique:

Black grease pencil

Dimensions:

27 x 21 cm

Year:

Vers 1962/63

Signature:

Stamped

L'Annonciation 1, vers 1959:

Jean COCTEAU

L’Annonciation 1, vers 1959

Technique:

Black grease pencil

Dimensions:

27 x 21 cm

Year:

Vers 1959

Signature:

Stamped

L'Annonciation 2, vers 1959:

Jean COCTEAU

L’Annonciation 2, vers 1959

Technique:

Black pencil

Dimensions:

27 x 21 cm

Year:

Vers 1959

Signature:

Stamped

Blason fantaisie, vers 1963:

Jean COCTEAU

Blason fantaisie, vers 1963

Technique:

Black pencil

Dimensions:

27 x 21 cm

Year:

Vers 1963

Signature:

Stamped

Couple au soleil, 1961:

Jean COCTEAU

Couple au soleil, 1961

Technique:

Blu marker

Dimensions:

35,5 x 26 cm

Year:

1961

Signature:

Signed and dated

Arlequin à la collerette verte, vers 1955:

Jean COCTEAU

Arlequin à la collerette verte, vers 1955

Technique:

Coloured pencils and pastel

Dimensions:

27 x 21 cm

Year:

Vers 1955

Signature:

Signed

Couple, vers 1960:

Jean COCTEAU

Couple, vers 1960

Technique:

Black pencil

Dimensions:

27 x 21 cm

Year:

Vers 1960

Signature:

Stamped

-
Les yeux verts, 1958:

Jean COCTEAU

Les yeux verts, 1958

Technique:

Ceramic

Dimensions:

40 cm

Year:

1958

Signature:

Signed

Arlequin sur fond bleu, 1958:

Jean COCTEAU

Arlequin sur fond bleu, 1958

Technique:

Ceramic

Dimensions:

30 cm

Year:

1958

Signature:

Signed

-
Profil rouge, vers 1962:

Jean COCTEAU

Profil rouge, vers 1962

Technique:

Serigraphy

Dimensions:

50 x 34,5 cm

Year:

Vers 1962

Signature:

Stamped

Double-Visage aux arabesques, vers 1958/60:

Jean COCTEAU

Double-Visage aux arabesques, vers 1958/60

Technique:

Wood engraving

Dimensions:

55 x 44 cm

Year:

vers 1958/60

Signature:

Stamped

Visage aux feuilles, 1959:

Jean COCTEAU

Visage aux feuilles, 1959

Technique:

Wood engraving

Dimensions:

56 x 38 cm

Year:

Exécutée en 1988

Signature:

Stamped

Trait de feu, 1958:

Jean COCTEAU

Trait de feu, 1958

Technique:

Lithography

Dimensions:

65 x 50 cm

Year:

1958

Signature:

Signed

Etude pour un médaillon ou un plat, 1958:

Jean COCTEAU

Etude pour un médaillon ou un plat, 1958

Technique:

Lithography

Dimensions:

40 x 30 cm

Year:

Tirée en 1993

Signature:

Stamped

-
Composition n°11, 1953:

Hans REICHEL

Composition n°11, 1953

Technique:

Watercolor

Dimensions:

33,5 x 24,5 cm

Year:

1953

Signature:

Signed and dated below, titled and dated in the back

-
Auvernier, 1974:

Olivier DEBRE

Auvernier, 1974

Technique:

Oil on canvas

Dimensions:

24 x 33 cm

Year:

1974

Signature:

Signed, titled and dated in the back

Bleu gris de Bavière, 1982:

Olivier DEBRE

Bleu gris de Bavière, 1982

Technique:

Oil on canvas

Dimensions:

100 x 100 cm

Year:

1982

Signature:

Signed, dated and titled

Ocre rose de l'Acropole tâche verte, 1988:

Olivier DEBRE

Ocre rose de l’Acropole tâche verte, 1988

Technique:

Oil on canvas

Dimensions:

33 x 46 cm

Year:

1988

Signature:

Signed, dated and titled

-
Sans titre, 1957:

Jean-Michel ATLAN

Sans titre, 1957

Technique:

Pastel

Dimensions:

45 x 54,5 cm

Year:

1957

Signature:

Signed

Composition, 1953:

Jean-Michel ATLAN

Composition, 1953

Technique:

Pastel

Dimensions:

32 x 25 cm

Year:

1953

Signature:

Signed and dated

-
Composition, 1978:

André MARFAING

Composition, 1978

Technique:

Ink washing

Dimensions:

64,5 x 50 cm

Year:

1978

Signature:

Signed

-
Mon chien et moi, 2018:

LU Yi-Ling

Mon chien et moi, 2018

Technique:

Ink and natural pigments

Dimensions:

34,5 x 34 cm

Year:

2018

Signature:

Signed

Temple sacré dans la brume, 2018:

LU Yi-Ling

Temple sacré dans la brume, 2018

Technique:

Ink and natural pigments

Dimensions:

35 x 34 cm

Year:

2018

Signature:

Signed

Les voyageurs à l'éventail, 2018:

LU Yi-Ling

Les voyageurs à l’éventail, 2018

Technique:

Ink and natural pigments

Dimensions:

34,5 x 33,5 cm

Year:

2018

Signature:

Signed

Le rocher jaune, 2018:

LU Yi-Ling

Le rocher jaune, 2018

Technique:

Ink and natural pigments

Dimensions:

34,5 x 34,5 cm

Year:

2018

Signature:

Signed

Le palais d'automne, 2018:

LU Yi-Ling

Le palais d’automne, 2018

Technique:

Ink and natural pigments

Dimensions:

34,5 x 33 cm

Year:

2018

Signature:

Signed

Le brouillard de l'été, 2016:

LU Yi-Ling

Le brouillard de l’été, 2016

Technique:

Ink and natural pigments

Dimensions:

27,5 x 34,5 cm

Year:

2016

Signature:

Signed

Automne, 2016:

LU Yi-Ling

Automne, 2016

Technique:

Ink and natural pigments

Dimensions:

34,5 x 35 cm

Year:

2016

Signature:

Signed

-
L'injuste milieu, 1974:

Camille BRYEN

L’injuste milieu, 1974

Technique:

Oil on canvas

Dimensions:

73 x 60 cm

Year:

1974

Signature:

Signed and titled

Composition, 1972:

Camille BRYEN

Composition, 1972

Technique:

Oil on canvas

Dimensions:

33 x 24 cm

Year:

1972

Signature:

Signed

-
Composition, vers 1960:

André LANSKOY

Composition, vers 1960

Technique:

Oil on canvas

Dimensions:

70 x 60 cm

Year:

Vers 1960

Signature:

Signed

Personnages dans un intérieur, vers 1930:

André LANSKOY

Personnages dans un intérieur, vers 1930

Technique:

Gouache

Dimensions:

76 x 105 cm

Year:

Vers 1930

Signature:

Signed

-
Nu, vers 1944:

Jean FAUTRIER

Nu, vers 1944

Technique:

India ink

Dimensions:

31 x 35,5 cm

Year:

Vers 1944

Signature:

Signed

Nu, vers 1944:

Jean FAUTRIER

Nu, vers 1944

Technique:

India ink

Dimensions:

29 x 34 cm

Year:

Vers 1944

Signature:

Signed

-
Haendel, Couronnement Chœur, vers 1960:

Serge CHARCHOUNE

Haendel, Couronnement Chœur, vers 1960

Technique:

Oil on canvas

Dimensions:

33 x 54,5 cm

Year:

Vers 1960

Signature:

Signed and titled

Envol de la saucière, 1946:

Serge CHARCHOUNE

Envol de la saucière, 1946

Technique:

Oil on cardboard

Dimensions:

27 x 35 cm

Year:

1946

Signature:

Signed

Composition, 1944:

Serge CHARCHOUNE

Composition, 1944

Technique:

Oil on canvas

Dimensions:

24,5 x 42 cm

Year:

1944

Signature:

Signed and dated

Negro Spirituals, 1961:

Serge CHARCHOUNE

Negro Spirituals, 1961

Technique:

Oil on canvas

Dimensions:

33 x 55 cm

Year:

1961

Signature:

Signed and dated

-
Composition, 1952:

Gérard SCHNEIDER

Composition, 1952

Technique:

Oil on canvas

Dimensions:

74 x 92 cm

Year:

1952

Signature:

Signed and dated

:

Gérard SCHNEIDER

-
Yellow Oxyde, 1969:

ARMAN

Yellow Oxyde, 1969

Technique:

Plexiglas

Dimensions:

44 x 25 x 6 cm

Year:

1969

Signature:

Signed and numbered

-
Personnages, 1920:

Ossip ZADKINE

Personnages, 1920

Technique:

Gouache

Dimensions:

49 x 35,5 cm

Year:

1920

Signature:

Signed and dated

-
Le viol de Lucrèce, 1961:

André MASSON

Le viol de Lucrèce, 1961

Technique:

Oil on canvas

Dimensions:

27 x 46 cm

Year:

1961

Signature:

Signed

-
Projet pour les Pensées de Pascal:

Albert GLEIZES

Projet pour les Pensées de Pascal

Technique:

Black ink

Dimensions:

31 x 18,5 cm

Year:

Vers 1950

Signature:

Signed

-
Composition, vers 1957:

Henri MICHAUX

Composition, vers 1957

Technique:

Watercolor and India ink

Dimensions:

56,4 x 38 cm

Year:

Vers 1957

Signature:

Signed

-
Dessin pour un monument, 1970:

Jean DUBUFFET

Dessin pour un monument, 1970

Technique:

Marker on paper on kraft

Dimensions:

30 x 21 cm

Year:

1970

Signature:

Signed, dated and dedicated

-
Le Pouce, 1975:

CÉSAR

Le Pouce, 1975

Technique:

Crystal

Dimensions:

29,5 cm

Year:

1975

Signature:

Signed, 288/300

La poule Cartier, 1985:

CÉSAR

La poule Cartier, 1985

Technique:

Bronze - 135/200

Dimensions:

11 x 6 x 13 cm

Year:

1986

Signature:

Signed

Le Cube, 1974:

CÉSAR

Le Cube, 1974

Technique:

Charcoal on canvas

Dimensions:

45 x 35 cm

Year:

1974

Signature:

Signed and dated

-
Don Quichotte et Sancho Pansa, 1995:

Robert COMBAS

Don Quichotte et Sancho Pansa, 1995

Technique:

Acrylic on canvas

Dimensions:

195 x 130 cm

Year:

1995

Signature:

Signed and dated

-
Composition, 1947:

Alfred MANESSIER

Composition, 1947

Technique:

Oil on canvas

Dimensions:

24,5 x 19,5 cm

Year:

1947

Signature:

Signed and dated

-
Apparence insondable:

Georges MATHIEU

Apparence insondable

Technique:

Oil on canvas

Dimensions:

130 x 97 cm

Signature:

Signed and titled

-
Composition, vers 1950:

Fernand LEGER

Composition, vers 1950

Technique:

Painted and enamelled ceramic

Dimensions:

45 x 34 x 6 cm

Year:

Vers 1950

Signature:

Signed and numered

-
Orage du printemps, 1952:

Jean BAZAINE

Orage du printemps, 1952

Technique:

Gouache

Dimensions:

17 x 28 cm

Year:

1952

Signature:

Signed, dated and titled

-
Composition, 1969:

Maria Elena VIEIRA DA SILVA

Composition, 1969

Technique:

Gouache

Dimensions:

16,5 x 19 cm

Year:

1969

Signature:

Signed and dated

Composition:

Maria Elena VIEIRA DA SILVA

Composition

Technique:

Gouache

Dimensions:

21 x 38 cm

Signature:

Signed

-
Composition, 1954:

Roger BISSIERE

Composition, 1954

Technique:

Oil, Indian ink and white chalk on paper

Dimensions:

54 x 38 cm

Year:

1954

Signature:

Signed and dedicated

-
Nature morte aux fruits, 1963:

Francisco BORES

Nature morte aux fruits, 1963

Technique:

Gouache

Dimensions:

50 x 65 cm

Year:

1963

Signature:

Signed and dated

-
Nu allongé, 1953:

Marcel GROMAIRE

Nu allongé, 1953

Technique:

Chinese ink

Dimensions:

25,5 x 33 cm

Year:

1953

Signature:

Signed and dated

-
La plante rampante, 1961:

André BEAUDIN

La plante rampante, 1961

Technique:

Oil on canvas

Dimensions:

54 x 65 cm

Year:

1961

Signature:

Signed, dated and titled

-
Nu de dos, vers 1930:

Aristide MAILLOL

Nu de dos, vers 1930

Technique:

Charcoal on paper

Dimensions:

14 x 21 cm

Year:

Vers 1930

Signature:

Signed

-
Les deux amies, vers 1930:

Albert MARQUET

Les deux amies, vers 1930

Technique:

Chinese ink

Dimensions:

20 x 28 cm

Year:

Vers 1930

Signature:

Signed

Bateau près de la côte:

Albert MARQUET

Bateau près de la côte

Technique:

Watercolor

Dimensions:

12 x 19 cm

Year:

Vers 1930

Signature:

Signed

-
Composition, 1960:

Angel ALONSO

Composition, 1960

Technique:

Black ink

Dimensions:

54 x 75 cm

Year:

1960

Signature:

Signed

Composition, vers 1960:

Angel ALONSO

Composition, vers 1960

Technique:

Black ink

Dimensions:

57 x 78 cm

Year:

Vers 1960

Signature:

Signed

-
Couple au chien, vers 1925:

GEN PAUL

Couple au chien, vers 1925

Technique:

Gouache

Dimensions:

48 x 68 cm

Year:

Vers 1925

Signature:

Signed

Calèche à Montmartre, vers 1930:

GEN PAUL

Calèche à Montmartre, vers 1930

Technique:

Gouache

Dimensions:

50 x 65,5 cm

Year:

Vers 1930

Signature:

Signed

Personnages attablés, 1925:

GEN PAUL

Personnages attablés, 1925

Technique:

Gouache

Dimensions:

50 x 65 cm

Year:

1925

Signature:

Signed and dated

Portrait de Céline, 1934:

GEN PAUL

Portrait de Céline, 1934

Technique:

Coloured pencils

Dimensions:

26,5 x 20,5 cm

Year:

1934

Signature:

Signed, dated and titled

-
Les galets d'Antibes, 1958:

Ladislas KIJNO

Les galets d’Antibes, 1958

Technique:

Oil on canvas

Dimensions:

33 x 46 cm

Year:

1958

Signature:

Signed and dated

Composition, 1960:

Ladislas KIJNO

Composition, 1960

Technique:

Oil on canvas

Dimensions:

94 x 137 cm

Year:

1960

Signature:

Signed and dated

-
Composition, vers 1970:

Arpad SZENES

Composition, vers 1970

Technique:

Gouache

Dimensions:

10 x 25 cm

Year:

Vers 1970

Signature:

Signed

-
Phenomena Tibetan Chalice, 1987:

Paul JENKINS

Phenomena Tibetan Chalice, 1987

Technique:

Watercolor

Dimensions:

76 x 55,5 cm

Year:

1987

Signature:

Signed, dated and titled

-
Bouche sur fond rose n°2, 1972:

Peter KLASEN

Bouche sur fond rose n°2, 1972

Technique:

Acrylic on canvas

Dimensions:

114,5 x 162 cm

Year:

1972

Signature:

Signed, dated and titled

-
Composition, 1949:

Maurice ESTEVE

Composition, 1949

Technique:

Ink and watercolor

Dimensions:

13 x 10 cm

Year:

1949

Signature:

Signed and dated

-
Composition à un personnage féminin, 1959:

Gaston CHAISSAC

Composition à un personnage féminin, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed and dated

Composition avec un personnage vertical en haut à droite, 1959:

Gaston CHAISSAC

Composition avec un personnage vertical en haut à droite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Composition abstraite, 1959:

Gaston CHAISSAC

Composition abstraite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Personnage à la tête rieuse, 1959:

Gaston CHAISSAC

Personnage à la tête rieuse, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Personnage à la tête rieuse, 1959:

Gaston CHAISSAC

Personnage à la tête rieuse, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Personnage à la tête rieuse, 1959:

Gaston CHAISSAC

Personnage à la tête rieuse, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Composition abstraite, 1959:

Gaston CHAISSAC

Composition abstraite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Composition abstraite, 1959:

Gaston CHAISSAC

Composition abstraite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Composition abstraite, 1959:

Gaston CHAISSAC

Composition abstraite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

Composition abstraite, 1959:

Gaston CHAISSAC

Composition abstraite, 1959

Technique:

Chinese ink

Dimensions:

26 x 20 cm

Year:

1959

Signature:

Signed

-
La chambre du Tour de France, 1930:

Christian BERARD

La chambre du Tour de France, 1930

Technique:

Gouache

Dimensions:

37 x 30,5 cm

Year:

1930

Signature:

Signed and titled

Accrochage de Noël November 2019

Galerie BERT

The Galerie Bert has moved from its original presence at the Louvre des Antiquaires to larger premises at 31 rue de Penthièvre in the 8th arrondissement, at the corner of Avenue Matignon and around the corner from the Hotel Bristol.

Dominique Bert is a member of the European Chamber of Art Experts. He specializes in the drawings of Jean Cocteau for which he has organized or participated in numerous exhibitions.

Bert concentrates upon 20th century paintings, both figurative and abstract. He participates regularly in annual art salons, including the Salon de Tuileries and Art-Elysees.

Exposition Jean COCTEAU - dessins (du 21 novembre 2015 au 30 janvier 2016)

Exposition COCTEAU - 50 Dessins - du 29 novembre au 31 janvier 2015 (voir toutes les photos dans Studio COCTEAU)

COCTEAU - 60 dessins - du 23 novembre 2013 au 31 janvier 2014 -

Catalogue 2012 : Jean COCTEAU/Lucien CLERGUE

Exposition "Hermann Amann, Nouvelle Pigmentation"

Catalogue 2009

Catalogue 2007

BERT Galery

31 rue de penthièvre

75008 Paris

La galerie est ouverte du lundi au samedi de 11h à 19h.

See the map.

Contact us:

Tel. O1 42 61 58 50

Port. 06 07 49 50 76

galerie.bert@wanadoo.fr

La galerie est ouverte du lundi au samedi de 11h à 19h.

Mail us.